Svetlana Parshina was deeply moved by her childhood reading of Twenty Letters to a Friend by Svetlana Alliluyeva, Joseph Stalin's daughter. Years later, learning that the now 82-year-old was living incognito in a Madison, Wisconsin retirement home, Parshina phones and requests an interview. After repeated denials, and only after insisting upon certain conditions, the now-82-year-old Alliluyeva finally consents to a rare filmed interview in which she discusses her education, marriages, her children, the development of her own humanistic philosophy, her CIA-assisted defection to the U.S., and her skeptical views on the competing Cold War ideologies. In more intimate moments, she discusses her childhood, her nanny, the suicide of her mother, her brothers Vasily and Yakov (who died in a Nazi concentration camp) and, of course, her famous father, who most Soviets saw as "a living God."

The short film is based on the ballad of the same name by Vasily Andreevich Zhukovsky. The plot is based on Gottfried Bürger's ballad "Lenora."

A modest girl, Svetlana, unfortunately got involved with a seasoned speculator, whose husband brought expensive things from different countries, and they sold everything they brought at exorbitant prices. Soon, Svetlana's excessive fascination with clothes led to her spiritual impoverishment...

From her first stage work with Sergei Yursky at the Bolshoi Drama Theatre, to her screen debut in The Long Recess which brought her fame, to her later roles in Sergey Snezhkin’s Bury Me Behind the Baseboard and Brezhnev—a rich creative biography of Svetlana Kryuchkova unfolds before our eyes. The actress’s life story is recounted by herself, her colleagues, friends, and film scholars.

An entry in the Bell Science animated film series, on the nature of time.

A cock-eyed optimist searches for love in the cold world of Los Angeles. After dating her high school sweetheart for five years, Abby finds herself single and still filled with the perhaps naive hopes of young girl. Supported by her two more realistic best friends Micah & Caroline, Abby begins her undying quest to find true love...and maybe a little fun too.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Interdisciplinary studies put into practice is a plane on which HaF's interests and mine coincide. Ideas of fictional research projects in films emerge very early on, or of film as research device, allowing people from different disciplines to come together and discover something, to pursue a line of thought, or just be adventurous. These ideas correspond to a tendency we both have of accumulating knowledge from different sciences, for example so as to bring exact sciences like medicine together with subjects which aren't directly aimed at application, such as religious studies or anthropology.

The intimate and passionate portrait of the late Max Croci in a documentary that recalls the human and cultural depth with the testimonies of friends and colleagues.

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